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24993267_10214887457451147_8429395310987405501_n.jpg

exposiciones

展示会

PAGINA 12 y 13 + CHE KUSTOM + MAURO ALBARRACIN.jpg
PAGINA 12 y 13 + CHE KUSTOM + MAURO ALBARRACIN.jpg

historietas

Mauro - Dibujo & Diseño - 100 x 100 historieta nacional.png

Este proyecto fue gestado con la idea de apoyar la Ley de Fomento de la Historieta Nacional y su Tratamiento (Exp. 1272-D-2016) y homenajear a la historieta Argentina a través de una historia que aunara a todos sus personajes​.

No había un guion especifico, sino una premisa general que amalgamaba todas las historias.

Está consistía en que MAFALDA era secuestrada y MORT CINDER debía viajar a todos los universos  que componen la historieta Argentina para averiguar quien fue el responsable y rescatarla.​

Diversos guionistas y dibujantes del territorio nacional realizaron las diferentes historietas que conformaron una muestra itinerante que recorre el país.

Fui invitado por Fernando Sosa a participar con el guionista SEBASTIAN ISAGUIRRE. Nos toco el personaje de MISTERIX, el legendario personaje creado en 1946 por el guionista Massimo Garnier y el Dibujante PAUL CAMPANI.​

100 x 100 Historieta Nacional

His collaboration for the project was, initially, with the screenwriter SEBASTIAN ISAGUIRRE. With whom he worked on MISTERIX, the legendary character created in 1946 by screenwriter Massimo Garnier and cartoonist PAUL CAMPANI, who was later continued by several authors until 1965, for Argentina and Italy.

 

Mauro was fascinated when he was asked to take on MISTERIX, since he is one of his favorite characters, and he immediately started working on the redesign of the character.

He wanted his appearance alone to prove that the atomic suit was powerful and invulnerable. For this he looked for inspiration in the busos of the early twentieth century.

The pages were originally conceived for the comic book format (vertical) but to make it easier to read on the web they were landscaped.

After making MISTERIX, he was commissioned to work with the iconic character of the national cartoon: the ETERNAUT.

On that occasion, in addition to doing the pencil and ink, he would be in charge of the script. But unlike his previous entry, he was limited to a scant three pages.

As with MISTERIX, the format of the pages was changed to be able to landscape them and improve their reading on the web.

Mauro Albarracin + Concurso Royal Enfield.jpg
Mauro Albarracin + Concurso Royal Enfield.jpg

dibujos & bocetos

Dias Felices Tienda de Indumentaria.png
Dias Felices Tienda de Indumentaria.png

diseñ

デザイン

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